Fall Sunset from the Deck

Fall Sunset from the Deck
Fall Sunset from the Deck
Showing posts with label Florence. Show all posts
Showing posts with label Florence. Show all posts

Sunday, October 14, 2018

October 11, 12, 13, 14 2018 Our last days in Firenze

Thursday, October 11

After all we did in the last few days, it was good to stay home for a day and try to recuperate.  There were enough provisions in the apartment for dinner, breakfasts, and snacks, with half a bottle of wine as well.  It rained all day, so was a perfect time to simply hang out, do photos, and relax a bit with no agenda. 

We settled onto the terrace as the rain let up toward evening and enjoyed the last of our wine while we made phone calls home.  I talked to Mo and Deborah, and Deanna called her husband, Keith.  WiFi calling works well on my Galaxy S9 phone.  We haven’t turned the phones off of airplane mode even once on this trip, and yet still enjoy excellent quality “real” phone calls.  Such a treat. 

Friday, October 12

We enjoyed another good breakfast at home, with eggs with cream cheese and zucchini, our favorite potatoes sliced up and sautéed, and Nescafe, our daily home coffee fix. Worked diligently on photos for a time before embarking on a mid day walk.  We decided to go back toward the part of town we visited on our first day here to buy some groceries for the our couple of days, to exchange a few US dollars since we are out of euros, and get back home in time to prepare for an evening on the town.

We enjoyed the quick walk to the main street on this side of the river, toward the east where we went the first day here. Found the meat market/grocery combo just in time before it closed for afternoon siesta, had a gelato at the nice little place nearby, bought something that looked like pizza but was tastier than most, with tomatoes and zucchini, our standby foods while in Italy.

What was most fun about this particular walk was how lost I was.  Even with the GPS on the phone, I couldn’t get my bearings.  Somehow everything seemed to be in the wrong place and didn’t match up with my memories of our first day walking around in this area.  It was especially funny to both of us because I am the map maker with a great sense of direction and Deanna has no clue which way is north or south. Yet she knew exactly where we were and where to find the Carni! Made for some funny moments for the two of us.

Before coming to Italy, thanks again to Two to Travel friends Erin and Mui, I learned about The Three Tenors performing n the auditorium of Santo Stefano. In the heart of Florence, just steps from Ponte Vecchio, Santo Stefano al Ponte is a church built in 1100 that was deconsecrated and reopened to the public in 2015 as exhibition space. Deanna purchased tickets for us online several months ago.  At the time we decided that this might be a nice way to end our Italian visit and chose to see the show toward the end of our time in Italy.

The day was a bit chilly, and we planned to walk the mile or so along the river rather than taking a taxi.  After watching people walking around our neighborhood after dark for the last couple of weeks, we were no longer concerned about walking home when the show was over.

We were, however, a bit worried about the chill.  We both wore jammie bottoms under our skirts, and long sleeves under our dressy tops.  The night was absolutely perfect, with no rain to cause any problems, and a slight breeze to keep us comfortable in all those extra clothes.  It was a lovely walk, and we arrived a bit early, in time for an apertivo before the show at a little bar in the church piazza.

Deanna had purchased VIP seats, so we had a perfect view and great acoustics from our forward location in the church. We did know, of course, that the Three Tenors were not the original “Three Tenors”, but the music was wonderful.  Amazing music emerged from the the mouths of those three men, no microphones, all acoustic with the tall chamber of the church amplifying it perfectly. Just amazing.

Once again, the song “Time to Say Goodbye” brought tears to my eyes. I can't believe that stupid song made me cry again. There is no reason whatsoever for it to affect me so, except the beautiful melody itself. I have no connection at all to the song, no memories generated from it or anything, but the melody is just so incredibly beautiful it always makes me teary. The three men sang in Italian, lots of songs we didn't know, some opera, and some old favorite songs that were also famous in America made popular by Dean Martin. It was a delightful experience.

Friday night on the Ponte Vecchio.  I guess it is the same no matter where you go

Our walk home was wonderful, breezy and cool but not chilly.  We walked through the Ponte Vecchio with all the shops closed but still many people enjoying the river and the evening camaraderie.  There was a busker playing “Proud Mary” and then Pink Floyd’s “Wish You Were Here”, and he was really really good! I guess the song choice indicates the audience of tourists. The walk home felt perfectly safe, with lots of people strolling and eating at the restaurants. We had no reason to worry at all about walking at night in this part of town at 1030 PM.

Saturday October 13

We were excited to visit the Pitti Palace and Boboli Gardens.  The guidebooks all lauded the beautiful gardens as a wonderful respite from the city, and the Pitti Palace as a place filled with the over the top examples of the kind of luxury afforded by one of the wealthiest families in the world, the Medici. 

We saved this excursion for Saturday, hoping the rain would lighten up enough that we could enjoy the gardens.  The day dawned beautifully, and we once again walked the mile toward the Ponte Vecchio, then turning south toward Piazza Pitti.

The piazza was crowded and the lines were long.  There are several things to see that are part of the complex, and once we looked at all the options, we decided that there was no need to see one more fancy palace with lots of rich stuff.  Instead we opted for focusing on the gardens.

Here is an example of the flowery words that led us to this decision.

“More than a garden, more than just a “green lung” in Florence, the Boboli gardens are one of the greatest open-air museums in Florence that embraces another site of culture in Florence, the Pitti Palace. The park hosts centuries-old oak trees, sculptures, fountains and offers peaceful shelter from the warm Florentine sun in summer, the beautiful colors of the changing foliage in the fall and smells of blooming flowers in the spring. The Boboli gardens are a spectacular example of "green architecture" decorated with sculptures and the prototype which inspired many European Royal gardens, in particular, Versailles.”

Sadly, the reality left a lot to be desired.  The first hint of what was to follow were the Medici Fountains at the entrance to the gardens.  The sculptures were filthy, covered in dust, and bleeding black mold .  Cherubs floated in the dirty water inside the dingy grotto.  Ok then.
Walking through the gates and up the stairs beyond the entrance led us to more sculptures lining the paths, again covered with black mold and looking very old and unkept.  It was terribly disappointing.
We withheld judgment for a time, following the maps and trails, searching for fountains and sculptures and views.  There were a few charming spots, but most of the gardens consist of huge very old shrubs that are meticulously manicured.  Too bad whomever is in charge of the place didn’t attempt to clean it up a bit rather than just cut back all those shrubs.
There was no color, with fall leaves already gone and not a flower in sight. The lawns are not watered, and were brown and scrubby. I have seen many winter gardens that are incredibly charming and colorful, that are designed well and a delight to visit no matter how drab the weather.  This was not one of those places.  It was very claustrophobic, and we wandered the paths looking for something to lift our spirits to no avail.
At the upper end of the gardens we found a viewpoint, and the other attraction included in our ticket, the Porcelain Museum.  The view from the rose garden was the nicest part of the Boboli, and yet even there, there were no flowers and everything looked tired and not very well cared for.

Deanna found a few faded roses in the upper rose garden

We were a bit sad that our last adventure in the great city of Florence should be such a disappointment.  Maybe we were just tired, or maybe overloaded, who knows. We did know that after days and days of so much input, our tiredness seemed to accumulate a little bit more each day. After leaving the gardens, we ambled a bit through Pitti Piazza, checking out the booths selling tourist wares, and then ambled back past the Ponte Vecchio toward home.  Once again, the busy, noisy, and full restaurants we passed didn’t tempt us much and we enjoyed cooking a great supper of fresh cut pork, fresh tomatoes, and a great bottle of inexpensive wine.

Written on Sunday, October 14 our last day in Firenze:
(I didn’t edit this original text from my journal so you could get a sense for how we were feeling)

It is our last day in Firenze, tomorrow morning we will leave “A Birdseye View” and take a taxi to Santa Novella for the train to Naples. Neither of us is looking forward to tomorrow, and yet both of us are basically DONE. At one time or another this afternoon, one or the other of us said, "I want to be hooooommmmmme". Deanna was looking at photos of her beautiful property in Northern Washington, a photo Keith sent today of gorgeous sunshine and the beautiful view over the river. Unlike me, she is not retired, and when she returns she will only get a short 3 days at the property in Lincoln, and then will have to get back out on the road in the big truck, crossing the country hauling jet engines all over the place so people like us can travel all over the place.

We are tired. We keep making excuses to each other on this, our last day, for not getting out of our jammies and at least going downstairs to view the lovely Sunday sunshine and watch people walking along the river. We stayed inside, worked on packing up our stuff, and ate simple breakfast.  We thought about going out to dinner, and instead cooked up the last of our pasta, garnishing it with the last of Sara's tomato sauce, the last of our olives, and made another side of sliced tomatoes in olive oil and balsamic. Traditional Italian fare that has served us well.

We thought about walking up to Michelangelo Square for one last look at the city or going for an evening walk along the river for one last view, but decided again that we have done enough, we don't need that one last view at all, we need instead to lie here in the almost comfortable sofa bed, look at photos and Facebook, play stupid Candy Crush and wait impatiently for it to get late enough to go to sleep.

Late in the afternoon a thunderstorm rolled over the city and we were glad we weren't out walking somewhere. Neither of us slept well again last night, and the last few days have recorded at most 3 or 4 hours sleep on our watches. Ugh. Tonight will be the rare sleeping pill for both of us. When can we take it? When can we go to sleep??? We do have a good reason, since the next two days will be long and grueling.

On a happy note, however, the middle photo in this collage is the ceramic piece I returned to purchase on the way home from Boboli Gardens.  Shipped direct from Italy home, it arrived safe and sound.  The photo on the left is where Deanna found her keepsake ceramics in Siena, and the one on the right is where I found a sweet small watercolor in Siena as well.

Wednesday, October 10, 2018

10-10-2018 Day 16 The Uffizi

The Uffizi is the large building just to the right of the Ponte Vecchio Bridge

I knew a long time before we arrived in Italy that I wanted to see the Accademia Museum.  I also knew that I probably wanted to visit the Uffizi, but with so much to see in Florence I wasn’t at all sure that we might not suffer such museum fatigue that we wouldn’t get there.  I bought our Accademia tickets online several months before the trip, but saved the decision to visit the Uffizi until just a few days before we left for Siena. 

The timing seemed right.  I went online and booked a Skip-the-Line ticket and 3 hour tour with CAF Tours.  Skip-the-Line is imperative but I also thought that with such a big gallery and so much to see it would be smart to have a guided tour as well.  It was a smart choice.

The Uffizi is huge and could be incredibly overwhelming without a guide.  We booked an early tour and arrived at Door Number 1 looking for the person in the yellow vest.  There were about 20 people in our group, minus two who had mistakenly booked the tour for 2019 and had to step out of line.  An easy mistake, and glad I didn’t make that one.

If you really are an art buff, here is a link to the paintings of the Uffizi Gallery.  Real photos of the paintings, no people in front of them, with artists and dates and the proper names of the paintings.  Then again, if you simply like to read my version of visiting the Uffizi, continue onward.  You also have the option of wandering around in my SmugMug gallery to see many of the paintings and descriptions that I didn’t put in this blog.

My recent posts about our trip to Italy have been fairly wordy.  I think this time I might give myself a break (as well as my readers) and keep the words few and let the photos do most of the talking.

Located in the heart of Florence, adjacent to the Palazzo Vecchio, the palace which houses the Uffizi Gallery was built between 1560 and 1580 as a public administrative building (hence its name, uffizi which means offices in old Tuscan language).

This enclosed walkway that connects the Uffizi, across the Ponte Vecchio, to the Pitti Palace on the opposite side of the river was built by the Medici’s.  They needed a protected way to get from their offices to their homes without having to endure the street riffraff below.

In 1590, a part of the palace was converted into a private exhibition space, known as the galleria, in order to accommodate the large art collection of the House of Medici.  In 1769 it was transformed into a publicly-open museum. It is believed that the modern term gallery, used to identify a space where works of art are on display, originates from that of the Uffizi’s original galleria.

Follow me now into one of the greatest art galleries in the world.

The Return from Egypt 1540  Oil on Wood  by Agnolo Bronzino

Madonna of the Pomegranate 1487 Tempura on Wood by Sandro Botticelli

Annunciation  1472 Oil on Wood by Leonardo da Vinci

Coronation of the Virgin 1439 Tempura on Wood by Filippo Lippi

Madonna and Child with 2 Angels 1460 Tempura on Wood by Filippo Lippi

Madonna of the Magnificat 1483 Tempura on Wood by Sandro Botticelli

Primavera 1482 by Sandro Botticelli

Our guide explained the mythology behind each of the characters in this complex painting

Birth of Venus 1482 by Sandro Botticelli

Yes, that one.  This one was especially hard to photograph because as you can imagine, the room was filled to bursting with people trying to get photos of the well known painting.

Holy Family with Young St John the Baptist 1505 Tempura grassa on wood by Michelangelo Buonarroti.

Yes, you are right.  We stood in front of this one for a very long time. Notice the strength in Mary’s arms, painted by the great sculptor. OF course, as he often did, Michelangelo included his own likeness in his art.

Venus of Urbino 1534 Oil on Canvas by Titian

Baccus 1597 Oil on Canvas by Carraveggio

Sacrifice of Isaac 1603 Oil on Canvas by Carraveggio

Raphael, Rubens, and countless others

Good Fortune 1617 oil on canvas by Gherardo della Notti

Are you exhausted yet?  We spent several hours in the Uffizi, trying to absorb the magnitude of great art there.  Standing in the very presence of great art, especially art that is imprinted on one’s brain from our collective consciousness is a bit overwhelming.  Of course you can’t touch anything, thanks to very loud infra red alarms that will screech very loudly if your hands get too close.  But you are close enough to touch the paintings, to look at the fine detail, to appreciate what it takes to make art like this.  An experience neither of us will forget.

It was a long day.  I actually have no idea what we did that evening, what we had for dinner, and I don’t remember the walk home.  However, I do remember this moment, when we reached our little street and I could see the door to our apartment.  It was a wonderful day and it was even more wonderful to know we had no plans for the following day except resting up a bit and reviewing and remembering the last few days of amazing experiences.

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Sunday, October 7, 2018

10-07-2018 Day 13 A Day with Michelangelo

Who knows why, after such a simple day that we enjoyed yesterday, but neither of us slept well last night.  We finally fell asleep around 2:30 AM and woke at 7, but even those few hours were restless.  We are both grateful for the sofa bed mattress, but still quite tired of being generally uncomfortable.

Sunday morning in Firenze is a wonder of bells, with the calls echoing all through the city and reverberating in all directions. It was a lovely way to begin our day, in spite of the lack of sleep.  Reading our trusty Rick Steve’s Florence guidebook, we decided that this Sunday would be a good day to visit some of the less popular sites in the main part of the city. 

Basilica de Santa Croce from the rear entrance near Scoula del Cuoio

Santa Croce was big on the list, not only for its beautiful facade, but for viewing the tomb of Michelangelo, which he designed for himself. Tucked away in Steve’s book was a little tidbit of information that turned out to be incredibly helpful.  Crossing the river once again, we took the back roads toward the Santa Croce, where we had seen the entrance to Casa Buonarotti, one time home of Michelangelo.

Facade of Santa Croce with sculpture of Dante to the left. The fancy tomb inside the church is merely a memorial and Dante isn’t actually buried here

The Basilica de Santa Croce (Basilica of the Holy Cross, is the principal Franciscan church in Florence.  There is a fee to enter this church, and from the main square, the lines are long even on a quiet day.  Just to the south of the church however, is a convent, and tucked away to the rear of the convent is the famous Scuola del Cuoio “School of Leather”.  Rick Steves suggested that one should visit the school, buy entry tickets to Santa Croce there, and enter the church through the back door from the school, no lines. 

Great advice!  Except the church wouldn’t be open until later in the day and we would have to return to the school to buy our tickets and enter.  No problem.  We thoroughly enjoyed visiting the school and reading about their world class leather training.  Even bought a few small leather pieces for presents for our kids and grandkids, and I found a purple wallet as soft as butter. 

Leaving the school, we walked a block or so to enter Casa Buonarotti.  Once again, there was an entry fee.  I never managed to track just how much we spent on entry fees in Florence to see all that we did, but it wasn’t a small amount. 

Although Michelangelo lived in this house as a young man, most of the art was added later by his descendant, Michelangelo the Younger, more than a century later.  We did see a pair of shoes and a walking stick that supposedly belonged to the great sculptor and several paintings of him.  The beautiful frescoes on the ceiling were completed in the 1600’s. 

Two special pieces made the visit worthwhile, both sculpted by Michelangelo when he was only 17 years old.

Madonna della Scala, Madonna of the Stairs reflects a  traditional form of sculpture for the time, with the influence of Donatello and the use “stiaccato” relief which allows a sculptor to create a recessed or relief sculpture carving only millimeters deep.  The illusion of greater depth is created by decreasing the thickness gradually from the foreground to the background.  It is more like a 2D image rather than a 3D sculpture. It stands in sharp contrast to the other relief carved by Michelangelo at Casa Buonarroti.

The Battle of the Centaurs

“The Battle of the Centaurs is a writhing mass of figures three-dimensionally carved into a marble block. The figures are layered in overlapping positions adding to the spatial depth of the work. We can see the artists interest in the massive bulk of the naked male form, a theme that would serve Michelangelo well in future commissions, including his work in the Sistine Chapel.”

Detail of ceiling in Casa Buonarroti

After visiting the leather school and Casa Buonarroti, we still had some time to kill before we could enter Santa Croce due to Sunday mass services being held there.  We decided to walk to the Bargello, a museum we had passed several times on our route to and from the Duomo Piazza.  The Bargello is a small museum, with a few hidden treasures and some obscure art that was nonetheless outstanding.

Michelangelo’s Bacchus is a highlight in this museum

Donatello’s David in bronze is much different than Michelangelo’s David

Dying Adonis by Vincenzo de Rossi was the one that caught our hearts.  Incredible.

We loved the majolica pottery

And the Della Robbia glazed pottery display was dramatic

The city was still fairly quiet as we emerged from the museum to head back toward Santa Croce.  But first we needed sustenance.  We found another little cafe for cappuccino and a pastry, and laughed together about the truly snotty waitress.  She was so harsh and somewhat rude that  it was actually funny.  I guess this happened to us less than we had expected during our Italian visit.

It was around 2 when we meandered back to the rear of the great church, smiling to each other as we looked at the long entry lines.  The shopkeepers smiled as they sold us our entry tickets, remembering that we had made some purchases earlier.  They are very friendly at the Scoula, and directed us to the entrance to the church where there wasn’t a single person in line.

Entering Santa Croce was just a bit overwhelming.  There are sixteen family chapels that compose a large part of the Santa Croce Basilica, considered the largest Franciscan church in the world. Well-to-do families typically had chapels built and decorated in their honor and dedicated to a favorite saint.

In addition the the chapels filled with art, and the beautiful crypts on the floors, it is the tombs that make Santa Croce so thrilling. The list of the famous artists and scientists of the Renaissance that are entombed in this basilica reads like a history of art and science.  Here lies Michelangelo, Michiavelli, Marconi, Galileo, and Rossini. 

We spent a long time wandering through the church, admiring the art and sculpture, until at last we came to the tomb of Michelangelo.  Silly me, somehow this place brought tears to my eyes.  I was looking up and another woman near me looked at me with tears in her eyes as well.  She only spoke Italian, but we laughed and smiled at each other and with hand gestures and eyes we acknowledged that this was somehow an incredible moment for each of us.  I have no idea why, not a clue.  But being here still got to me down deep.

 

Michelangelo, crazy man, wild artist, genius of sculpture, legendary personality.  It was good to see his work in person and to stand at his tomb and honor him.

We left the church and walked back across the river, reaching our little apartment by 4.  By this time the city was incredibly crowded, and the streets were shoulder to shoulder with tourists.  The big tour buses parked along the Arno River just across from where our apartment is located and we saw them lining up and filling with hordes of people returning from a day in the city center. 

Florence is truly wonderful if you know to get up early before the crowds, find the quiet neighborhoods, go out in the evening when the tour buses have departed.  Also, often short walk to another street will open up space where no one has ventured to go because it isn’t on the main tour walking route. Still, it is very important to get the heck out of downtown before 4pm!

Once again, no fancy dinner out for the two of us.  Are you surprised that Deanna cooked a great supper for us of pasta with veggies, tomatoes, zucchini, and some of Sara’s tomato sauce?  We enjoyed a glass of wine, a bit of chocolate for dessert, and hopefully we will be rested for the next big adventure.

Tomorrow we travel from Florence to the medieval town of Sienna, little over an hour south by bus and a world away from the Renaissance and back into the Middle Ages.  We have a hotel reservation and an idea of where to catch the bus.  Both of us are a bit excited about this one, so hopefully we can sleep tonight.